Arranged for the release of the Poker Night at the Inventory remake.

Like I say in the video, I hadn't listened to the actual version in the OST when I was making this. Came out well enough, though.
That phrase, "without reference material," is a reference to a panel from the first ever Sam & Max comic.

UDG isn't for everyone (that's putting it charitably), but the music is fire. This is my take on one of my favorite tracks from the franchise.

As I recall, I had trouble trying to cover the melody. Masafumi Takada's original track features vocals, and I wasn't going to be able to sing them myself. It was a conscious decision to lean into my strengths, with the e. piano.

Played the piano sections myself. I love the jazz sound of the Sam & Max songs, and I'd love to cover more of them. Maybe Cruisin' next.

I was feeling pretty nostalgic in August last year. I made a bunch of Thomas covers, but this was the only one that made it onto YouTube. Maybe I'll get around

Love this song.

This is a cover of the cut intro song for Sonic SatAM, 'Way Past Cool.'

Went through a ton of changes trying to get the guitars to sound right. I'm beyond pleased with out it turned out.

I first arranged this in late 2023, mostly for myself to listen to, I won't lie. Six minutes might be a little long, but it's fantastic background music.

This song was almost entirely practice for getting the rock guitar to sound as good as it does.

The incinerator is a perfectly fine alternative to a trash can.

A bossa tune to drag around shelves to.

Alacrity, noun, is defined as 'brisk and cheerful readiness.' In other words, the opposite of this track.

This was for an asymmetric multiplayer horror game à la Dead by Daylight and Phasmophobia. It features an 808 and violins, with the sample rate turned way down to fit the aesthetic.

A bop for those so inclined.

A driving beat, slowing down for nothing and no one.