The songs of Total Disposal are swaying and smooth, and somehow, that makes the surreal physics-based gameplay feel all the more fun.

There's just the one song this time; a cover of March of the Toreador, from the French opera Carmen, circa 1875.

These songs had to have clear beats to follow, seeing as this was a rhythm game.

The goal here is to capture multiple sides of the same whole, like the playable character, so the songs here are built on the same central idea.

The below tracks were arranged years later, still using the 'facets' motif.

For the title, I built on what was already there, but past that, it's all me. I don't work in 8-bit often, but it's well within my skillset.